hahah Nice one Newton.

Some more to add:

The 2 heros (brothers) are separated at a mela and when they grow up, they find that they are brothers right before the climax when they're fighting and one gets his sleeves torn off and lo and behold, its a trishul tattoo.  The hero who was mercilessly beating his brother now stops and in a violin music filled backgroud reveals his own tattoo.  Both brothers hug and now turn towards the villian screaming, "Kaminay..."

When raping his victim, the villian always tears the sleeves off the heroine/hero's sister's choli or salwar leaving red streaks on her arms (supposed to be the villain's clawings).  The rape scene: He forces himself on top of her and fully clothed he showers closed lip kisses on her cheek/forehead and as the struggle continues, the scene metaphorically moves to a struggle between a python and a chicken where the chicken is ultimately consumed by the python.

However, when the hero and heroine do it, they show the rolling around and the back of the guy/girls head and then the camera spans towards the tangling of the feet and then the sun rises the next morning with a sitar strum in the background.

When a hero/hero's friend gets shot, he vigorously fights till the end which is often a tear-jerker...Atleast 5 bullets are needed to take him down.  But when any of the villian's cronies are shot a single bullet, they give one loud scream/squeal to their death.

Finally, green lush grasslands and atleast 5 changes in clothing is required for every song.  And if the hero plays a guitar, his hands with all fingers glued together move back and forth the guitar neck (as if to signify that its being played in tune along with the song).

cut the craps.. just one rule:

the begining half, hero chase heroine

the end half, hero chase villian.

hahahah.

when a hero and heroine are about to kiss, they show 2 flowers.

Now here are some common dialogue in specfic situation

1.whenever hero wanna take heroine for date, he would ask " aaj shaam ko to tum kya kar rahi yo?"

2.whenever hero says Maa to some old lady, she would fall into tears and emotion spill her eyes, and says '' Tum ne mujhe maa kahan"

3. When villain try to rape herione, heroine begged " Bhagwan ke liye muchhe chhod de" and the ommon reply from villain would be "aghar bhagwan ke liye tuchhe chhod du to main kya karoonga"

yes

You read the title of the movies, you know the whole story without even seeing the actual movie, you watch it and turns out your prediction was 99.9% right.

Here is one more...its similar to Newtin123’s first...judwaa bhai ki kahani...its somewhat different though....

Imagine a situation.....imagine that Krishna Pahadi and Rajnikant were twin but (I find them identical so i presumed they were judwaa)....so what would have been the scene if there was Krishna Pahadi finally reuniting with his mother in Madras....like in one hindi film

मा: आजसे २५ साल पहेले जब हम जुहुसे शोले देखके बान्द्रा  जारहे थे....उसदिन बाजुवाला गोर्खा भि साथ गया था...आधे रस्तेमे भन्क्यर बारीस हुई...बाढ आई....रजनी मेरेसाथ चिपक गया...पर तु...फिर फिर हम सब अलग अलग हो गए..............(sobbing)...............................

उसिसाल....तेरे पिताजी च्अल बसे ...और मै अकेले बम्बैमे क्या कर्ती.....रजनी भि छोटा था....फिर मै माएके मद्रास चली आयी............बादमे मालुम हुवा तुझे गोर्खा काठमाडौं ले गया

Krishna Pahadi in black coat Rajanikant in white kurta

(Its completely imagined and with no intention to offend anybody...based on what one typical hindi movie used to offer mostly)

Here goes one more dialogue

When heroine find out that hero sacrifice everything for good cause, the common dialogue would be "pahele main tumhe pyar karti thi, aaj se puja karungi'